Monday, March 28, 2011
Friday, March 25, 2011
Theatre Seating Charts Templates
Program March 25: Special Pinetop Perkins - Pinetop Perkins Radio Carcom
Thursday, March 24, 2011
Meblomak Kanapa Stilo
7 Julio 1913 - March 21, 2011
you gone, Pinetop Perkins, inevitably it is the law of life. Were a survivor of nearly 100-year history of blues and how many times I have wondered the same thing in countless interviews that you've responded to throughout your life and how small or large, things have been without question. You were born on July 7, 1913 in Mississippi whose landscapes and way of life just remember that you still survives, David Honeyboy Edwards. "Pinetop Perkins also lived in my village which was Shaw. He was born in Belzoni, but his family had moved to Shaw. Pinetop Perkins know since I was a kid. Pinetop met my mother! He grew up just half a mile from my house, he, his mother who called Little Bit and her stepfather, Cornelius Shepherd. Pinetop he learned to play the piano. They lived on the plantation MacLemore. Had to leave as we do when the flood of 1927. I remember one woman had a juke joint outside of Shaw. Molly called and when Pinetop had no more than 14 years and was all t was a barrelhouse pianist. " Yes, David Honeyboy Edwards tells it in his book "The World Do not Owe Me Nothing", the only survivor of the club of aspiring centenarians that we were leaving quietly, with 96 years Henry Townsend and Robert Junior Lockwood with 91, in a fateful year 2006.
you gone, Pinetop Perkins, inevitably it is the law of life. Were a survivor of nearly 100-year history of blues and how many times I have wondered the same thing in countless interviews that you've responded to throughout your life and how small or large, things have been without question. You were born on July 7, 1913 in Mississippi whose landscapes and way of life just remember that you still survives, David Honeyboy Edwards. "Pinetop Perkins also lived in my village which was Shaw. He was born in Belzoni, but his family had moved to Shaw. Pinetop Perkins know since I was a kid. Pinetop met my mother! He grew up just half a mile from my house, he, his mother who called Little Bit and her stepfather, Cornelius Shepherd. Pinetop he learned to play the piano. They lived on the plantation MacLemore. Had to leave as we do when the flood of 1927. I remember one woman had a juke joint outside of Shaw. Molly called and when Pinetop had no more than 14 years and was all t was a barrelhouse pianist. " Yes, David Honeyboy Edwards tells it in his book "The World Do not Owe Me Nothing", the only survivor of the club of aspiring centenarians that we were leaving quietly, with 96 years Henry Townsend and Robert Junior Lockwood with 91, in a fateful year 2006. You left, Pinetop, with the same age as both my grandfathers did something similar and find one, chopping wood in the village the day of his death and the other, enjoying the city some of the small pleasures of life until his last breath. You, Pinetop, offering your blues to the end and be happy doing it, with that mischievous smile still that we were lucky to even contemplate last year in Hondarribia, where some of us appeared a small tear filled eyes maybe of alcohol, but certainly also the blues, to hear "Hey Jack, I just got back, still looking for the place They call the Chicken Shack. "
Many will have only associated with the boogie woogie and blues of Muddy Waters band with whom he worked for 11 years but should also be remembered for having participated with Alec Rice Miller in the program King Biscuit Time KFFA station in Helena, Arkansas in 1944, where he met with Robert Nighthawk and undertake a
first adventure north to Chicago, a cold month of January 1950 and recorded for Aristocrat the eve of Epiphany, "Six Three O" "Jackson Town Girl" and "Prison Bound" (see the comment I left) . Were you in Memphis in 1953, and Ike Turner, who had started playing the piano to listen to the King Biscuit Time, I got a session for Sam Phillips. So you recorded your name "Pinetop's Boogie Woogie" accompanied by Earl Hooker with whom he recorded a month before "The Hucklebuck" and "Move On Down The Line." Say you had borrowed that title Pinetop Smith. A few years later were in St. Louis and your stay there is little known, what you said, you were one of the best blues bands in the city, even better than Ike Turner. And unfortunately, there is documentation on disk. Can not forget your recorded with Earl Hooker, the natural heir to Nighthawk. There is more to hear "How Long Can This Go On" for Universal in 1962, Arhoolie album, "Two Bugs & A Roach ', 1968, where you played the organ in the Wah Wah Blues" and two titles CD "The Moon Is Rising." They should not be forgotten the 5 songs recorded in February 1990, with only piano and drums, and edited by Wolf in his Chicago Blues Sessions Vol 12
I thought it was exciting that the 2008 Grammy for best traditional blues album be given to "Last of the Great Mississippi Delta Bluesmen", recorded live in Dallas 16 October 2004. There guys were the 4 living legends, Townsend, Lockwood, Edwards and you, each with his band except Honeyboy.
I will not say more because you may already be all that, which is what usually happens when a figure in your class says goodbye forever. The countless musicians with whom he worked and walked into the studies could tell many anecdotes and stories about you, the living and Bob Corritore, James Cotton, Ronnie Earl, Luther Guitar Junior Johnson, Bob Margolin, Willie Smith, Little Mike, Big Bill Morganfield , David Maxwell, Maria Muldaur, Sugar Blue, Hubert Sumlin, Johnny Winter, Zora Young and also those who came before you and Carey Bell, Big Leon Brooks, George Wild Child Butler, Earl Hooker, Robert Nighthawk, Big Jack Johnson, Big Daddy Kinsey, Calvin Jones, Muddy Waters, Snooky Pryor, LC Good Rockin 'Robinson, Koko Taylor and Junior Wells.
The blues is in mourning again this March, when winter just ended and we entered the dawn of another spring always brings the blossoming of new life.
Many will have only associated with the boogie woogie and blues of Muddy Waters band with whom he worked for 11 years but should also be remembered for having participated with Alec Rice Miller in the program King Biscuit Time KFFA station in Helena, Arkansas in 1944, where he met with Robert Nighthawk and undertake a
first adventure north to Chicago, a cold month of January 1950 and recorded for Aristocrat the eve of Epiphany, "Six Three O" "Jackson Town Girl" and "Prison Bound" (see the comment I left) . Were you in Memphis in 1953, and Ike Turner, who had started playing the piano to listen to the King Biscuit Time, I got a session for Sam Phillips. So you recorded your name "Pinetop's Boogie Woogie" accompanied by Earl Hooker with whom he recorded a month before "The Hucklebuck" and "Move On Down The Line." Say you had borrowed that title Pinetop Smith. A few years later were in St. Louis and your stay there is little known, what you said, you were one of the best blues bands in the city, even better than Ike Turner. And unfortunately, there is documentation on disk. Can not forget your recorded with Earl Hooker, the natural heir to Nighthawk. There is more to hear "How Long Can This Go On" for Universal in 1962, Arhoolie album, "Two Bugs & A Roach ', 1968, where you played the organ in the Wah Wah Blues" and two titles CD "The Moon Is Rising." They should not be forgotten the 5 songs recorded in February 1990, with only piano and drums, and edited by Wolf in his Chicago Blues Sessions Vol 12 I thought it was exciting that the 2008 Grammy for best traditional blues album be given to "Last of the Great Mississippi Delta Bluesmen", recorded live in Dallas 16 October 2004. There guys were the 4 living legends, Townsend, Lockwood, Edwards and you, each with his band except Honeyboy.
I will not say more because you may already be all that, which is what usually happens when a figure in your class says goodbye forever. The countless musicians with whom he worked and walked into the studies could tell many anecdotes and stories about you, the living and Bob Corritore, James Cotton, Ronnie Earl, Luther Guitar Junior Johnson, Bob Margolin, Willie Smith, Little Mike, Big Bill Morganfield , David Maxwell, Maria Muldaur, Sugar Blue, Hubert Sumlin, Johnny Winter, Zora Young and also those who came before you and Carey Bell, Big Leon Brooks, George Wild Child Butler, Earl Hooker, Robert Nighthawk, Big Jack Johnson, Big Daddy Kinsey, Calvin Jones, Muddy Waters, Snooky Pryor, LC Good Rockin 'Robinson, Koko Taylor and Junior Wells.
The blues is in mourning again this March, when winter just ended and we entered the dawn of another spring always brings the blossoming of new life.
Wednesday, March 23, 2011
Top Rock Climbing Brands
Concierto Vladi Olmos and David Garcia
concert at The Tavern Alabanda by Vladi Olmos (vocals, guitar) and David Garcia (harmonica and vocals) on 6 March, under the Fourth Cycle Acoustic Blues organized by
Onda Latina
concert at The Tavern Alabanda by Vladi Olmos (vocals, guitar) and David Garcia (harmonica and vocals) on 6 March, under the Fourth Cycle Acoustic Blues organized by
Onda Latina
Monday, March 21, 2011
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