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We have included a new image in the album Российская Федерация WALL RUSSIA (i)

http://dspa.info/index.php

And a new image in the album WALL MEXICO:

http://arteycallejero.blogspot.com/2008/12/no-al-fascismo.html

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Program May 2 - Onda Latina

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have included a new image in the album WALL ARGENTINA (d).

http://www.madridantiantifa.es/

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have included a new image in the album WALL NOT DEFINED (II)
The image is a peace mural taken from http://peace.maripo.com/p_walls.htm

October 21, 2009 - "Stop the Violence. Another Way is Possible," Houston Street & Avenue B, Lower East Side (LES), New York City, New York ( USA). "The legendary artist Les Earlier retired to Florida this year. But Chico [Antonio Garcia] is back, thanks to the Lower East Side Girls Club and the anti-violence organization Power of Peace (POP). "

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have included 5 new images in the album WALL Euskal Herria (II)

Ttattola Gaztetxea

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have included a new image in the album IRAN WALL جمهوری
اسلامی ایرا
by Ensi & Matthias

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PERSIAN (Sardigna)

have included a new image in the album Sardigna WALL.

http://www.aserramanna.it/2010/03/personaggi-luciano-lixi/

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have included a new image in the album NORTH KOREA WALL 조선 민주주의
인민 공화국
http://www.gadling.com/photos/north-korea-straight-from-the-horses-mouth/ # 3638744

and an image WALL ARGENTINA (i) :

thank from here to Olfer sending images of this fantastic mural:

Mural Process in the Framework of International Festival of Murals in Cosquin. Cordoba















Within the Latin American Meeting and Public Art mural "Bicentennial" organized by the Municipality of Cosquín, the Bureau of Culture, Education, Tourism and Sports HE Huanquero School of Ceramics and the National Movement of Argentina Muralists "Italo Grassi Peru participated represented by Leonardo Olfer muralist, director of the Task Executor Muralist , formed by Cecilia Aguilar (Córdoba), Luciana Muñoz (Córdoba) and the special participation of the muralists Gisel Rosso (Santa Fe), Gustavo Baldovino (Uruguay) and Leonardo Vangoh (Peru) The theme of the Meeting was referring to " Liberation of Latin America and the bicentennial commemoration. Before this the proposed visual developed was the great anti-colonial movement of Tupac Amaru II in 1780. On one wall of 42 square meters in the neighborhood Elias Romero, Salta and Florencio street, square Cosquin collectively worked the scene of the peasant uprising led by José Gabriel Condorcanqui who stands as a leading figure in the mural with his fist haranguing high on a white horse while Micaela Bastidas - the upper right-waves the flag of Cusco. In the bottom right and in the foreground a farmer poncho chullo and comes armed with carbine action around the entire mass is organized and armed, after her rise in the Andes, gray green, which affords the nascent sun flooding a vibrant dawn. This Mural reaffirms the historical truth of the Independence of Peru "was not an isolated event, but rather the conclusion of an entire political process, more than 50 years of bloody, hard and heroic struggle of the people whose triumphant finish were the last 14 years since the American juntas of 1810 to the Battle of Ayacucho in 1824. highlight and art-from-the Tupac Amaru movement - which topped the whole process of the indigenous struggle, mobilized 100 thousand men and called on farmers, Creoles and Mestizos in an anti-mita (essence of a servile from feudal oppression), the mills, the division, the magistrates, the checkpoints, etc., ranging from Cuzco and Puno to Bolivia, seriously jeopardizing the colonial rule, with repercussions in Argentina, Colombia and Mexico and across America, motion defeated but that removed and undermined the viceroyalty thus preparing the conditions for emancipation. take this opportunity to salute and highlight the heroic deeds of the people who struggle every day against oppression, showing that the masses make history in their struggle and forge their own leaders that represent them and manage their struggles. and Tupac Amaru quartered, many leaders today they are persecuted, others become in political prisoners, since it criminalizes protests. Thanking the organizers of the festival, the neighborhood council Elias Romero who were an integral part of Mural, we give the people of Cordova, Peru, and in general, the mural, which will be a space to reflect the process of struggle that developed in colonial Peru, and continue to build from the visual field, our history and identity of the Latin American peoples. Muralist Team Executor Córdoba April 2011.

http://olferleonardo.blogspot.com/

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Program April 25 - Onda Latina

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have included a new image in the album WALL Greece Ελληνική Δημοκρατία (d)

http://www.mikismantakas.info
two
AND WALL SPANISH STATE (d) :

We sent from Madrid Anti-Antifa a couple of murals http://wbmstreetart.blogspot.com/

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has been included new image in the album WALL NOT DEFINED (II)
The image is a peace mural taken from http://peace.maripo.com/p_walls.htm

About 2004 - Peace Wall, Castle Rock, Bisbee, Arizona (USA). "Castle Rock is an Imposing hunk of rock on the side of Tombstone Canyon in Bisbee, Arizona. British-born artist Rose Johnson [1961-2009] WAS commissioned by the city of Bisbee to paint a mural dedicated to world peace on That concrete wall abuts to Castle Rock. "

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a Notice understandable but sad

master muralist, Armando de Magdalena but understandable and thoughtful:

and I think all a central cone the history of t oria ta brigade is ( http://es.wikipedia.org/wiki/Brigada_Jorge_Calvo ) born back in 2006 was the result, as almost always, coincidence, but it is good to say, the matches are not always entirely such. His great responsibility not I, but rather the "mono" Gonzalez that summer afternoon in the neighborhood beyond the League City Santiago de Chile, m and knew how to communicate in the few minutes that paint with him, all his passion and all the i mp ortancia this street art. Today is very fashionable to speak of "Art or Contextual Circumstantial, but I regret to tell the unsuspecting that art, like almost everything in art is older than the m s old to us all. Indeed it seems that the oldest of the arts was the new Art Now Contextual. In that sense art is a senior brigade Chilean example of this (sometimes more sometimes less ) indissoluble bond between art and reality. And Alexander "monkey" Gonzalez one of his i nsignes enablers.

Our brigade was created as part of the planned activities and Paratori 30 anniversary commemoration of the 1976 coup in Argentina. Three Santiago, a Californian and I organized and ran in the week of February 2006, a dozen murals in different parts of the City of Buenos Aires and Greater Buenos Aires. Partici couple or n us dozens of young men (most militant of the communist youth) and once returned, "the monkey" and his companions to Chile to continue painting until today almost without interruption. That campaign ended on March 24 itself with a mural in a l Av enid May a few blocks from the historic plaza.

What is really significant, what surprised us to everyone years, was the impact that that had few dozen murals in our lives but especially in a sector of Argentina's youth. To give just one example walking along the Avenida de Mayo in the last anniversary of the coup, watched the columns of the political and social organizations march towards the square, when I pass a header with a great parade that had both ends of the typical designs of our brigade. How do got the camera to take a picture, one that was holding it by guessing the move greeted me. I'm sure he recognized me, they were young in the province of Santiago del Estero, whom I did not know. Clear on one occasion did a mural in the capital of the province p ro defend the rights of Indigenous Peoples (I think this mural still exists opposite the bank of the province) and has probably been the mural real culprit. The real thing is that you designs are no longer ours, and ceased to be a time of "mono" Gonzalez. These reasons are of both users within the meaning and the context they were created (u genuinely san), is that as an expression ideographic a feeling and desire for freedom that seeks to materialize.

I bring this anecdote that has not been the exception but the rule. Beyond the activity of our brigade, which was actually a school to this brigade concept art , fu eron emerged over these short years endless murals and muralists youth groups that used this concept and the aesthetic to propagandize their struggles making them visible in a beautiful and original. The images themselves were the best school, whether that of the hundreds ural d em scattered across the vast geography of my country, either of the photos collected by the press, Internet increases, passed from hand to hand as sketch of rebellion and action ona ria revolution in art as in life. This gives me great pride and great satisfaction. Beyond all, if I had to do (in an attempt now) a balan ce , I would say that first and foremost: the satisfaction and pride of being a faith trigger such an interesting phenomenon that I hope someone somewhere commensurate day deal.

Today the circumstances of life have made me to share my days between Asturias and my country. While still connected to all the projects that forge a lifetime and I tie the great American people, it is also true that distance makes some things become complicated. I must say a man self-criticism was so prolific in recent years I could never build a group (small whatever) find a person, as the monkey found in me someone who could capture the deeper message behind the art the actual content of one's own intentionality. To put it another way to understand the mural as a company militant but also respect its complexity, its laws, its possibilities ... all that you need to know to sacrifice in pursuit of the involvement of other ... the convicted person, the alien, the very subject of the radical changes that our co nti component and humanity itself need. The mural (art) as a vehicle for individual and social liberation.

In this regard I must thank the monkey (how lucky I was to talk with him as long and hard) and the brigade itself, since I could experience what they always thought ... see the faces of these kids, seeing the joy of the militants, the people, the marginalized ... Brush them with creating their own hands ... in his own voice telling your own story ... That is more than "contextual l Arts", a fashion but in the end, among so many fashions that are intended nihilists. Surely I will continue painting murals circumstantially, but not as BJC ... the brigade must

furniture ra so that the good and bad of that experience can be capitalized on by those who come after. Today in Argentina that art expands into a sphere and a wall so that i Argentine stas always thought not ... is also essential that

that fail the most important ... in instilling a concept and above all a attitude to art and to the reality .. . the murals I did with Alejandro Urra anniversary in Buenos Aires are the last ones for me has effected do this brigade. Continue painting now that she was born and hopefully be as fruitful as all this experience. "Song has been brave, always new song," were beyond rusty paint brushes in a bag in my room Bu I in Aires ... rest that they deserve and when I will paint with new brushes.

Armando

M agdalena

Candamo Santoseso, Asturias

ab ril 13, 2011,

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have included a new image in the album EUSKAL WALL COUNTRY (II)

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Program April 22 - Radio Carcom

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have included a new picture album of WALL PALESTINE فلسطين
Jalaa street near the (Gaza) Fatah Party (2004)
http://www.contraindicaciones.net/2005/08/art-crimes-graffiti-en-la-fran.html

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Se ha incluido una nueva imágen en el álbum de MURALES IRLANDESES EN ZONA CATÓLICA REPUBLICANA Y NACIONALISTA (II)

http://www.seanmccaughey.com/Memorial_s.html

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Se ha incluido una nueva imágen en el álbum de MURALES URUGUAY.

http://www.contraindicaciones.net/2009/04/graffitis-politicos-en-montevi.html

1 en MURALES OKUPACIÓN(varios paises)

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1 enMURALES VENEZUELA
thank Ariel in sending the image:
muralist squad MANUELITA SAENZ IN VENEZUELAN FOOD CORPORATION "CVAL" at its headquarters



1 in WALL ARGENTINA (i) :
thank Demian sending the image that is a mural in Bahia Blanca Buenos Aires.